A collection of historic and vintage photographs by a variety of photographers reworked and colorized. Working with these old photos like this has given me reassurance that the things I see, they would have seen in much the same way as I can see what they are showing me at the palm of my hand.
“It is often said that America has no real deserts. This is true in the sense that there are no regions such as are found in Asia and Africa where one can travel a hundred miles at a stretch and scarcely see a sign of vegetation—nothing but barren gravel, graceful, wavy sand dunes, hard, wind-swept clay, or still harder rock salt broken into rough blocks with upturned edges. In the broader sense of the term, however, America has an abundance of deserts—regions which bear a thin cover of bushy vegetation but are too dry for agriculture without irrigation…. In the United States the deserts lie almost wholly between the Sierra Nevada and the Rocky Mountain ranges, which keep out any moisture that might come from either the west or the east. Beginning on the north with the sagebrush plateau of southern Washington, the desert expands to a width of seven hundred miles in the gray, sage-covered basins of Nevada and Utah. In southern California and Arizona the sagebrush gives place to smaller forms like the salt-bush, and the desert assumes a sterner aspect. Next comes the cactus desert extending from Arizona far south into Mexico. One of the notable features of the desert is the extreme heat of certain portions. Close to the Nevada border in southern California, Death Valley, 250 feet below sea-level, is the hottest place in America. There alone among the American regions familiar to the writer does one have the feeling of intense, overpowering aridity which prevails so often in the deserts of Arabia and Central Asia. Some years ago a Weather Bureau thermometer was installed in Death Valley at Furnace Creek, where the only flowing water in more than a hundred miles supports a depressing little ranch. There one or two white men, helped by a few Indians, raise alfalfa, which they sell at exorbitant prices to deluded prospectors searching for riches which they never find. Though the terrible heat ruins the health of the white men in a year or two, so that they have to move away, they have succeeded in keeping a thermometer record for some years. No other properly exposed out-of-door thermometer in the United States, or perhaps in the world, is so familiar with a temperature of 100° F. or more. During the period of not quite fifteen hundred days from the spring of 1911 to May, 1915, a maximum temperature of 100° F. or more was reached in five hundred and forty-eight days, or more than one-third of the time. On July 10, 1913, the mercury rose to 134° F. and touched the top of the tube. How much higher it might have gone no one can tell. That day marks the limit of temperature yet reached in this country according to official records. In the summer of 1914 there was one night when the thermometer dropped only to 114° F., having been 128° F. at noon. The branches of a pepper-tree whose roots had been freshly watered wilted as a flower wilts when broken from the stalk.”
—The Chronicles of America.—Volume I. “The Red Man’s Continent,” by Ellsworth Huntington.
Millie was undeniably beautiful. She was quite clever also. She developed a system wherein she could chop wood without lifting a finger. Living at the post office and only store for miles around, she became quite astute at knowing when the cowboys and other such young men would be coming to pick up supplies and mail. She would study the dust coming off the roads in the distance. Seeing this she would walk over to the woodpile, take up her ax, and ineffectively swing it in a feigned attempt to split firewood as her happy victims arrived. She would sigh. What buck could resist? A delightful young lady, an ax, and a pile of wood needing splitting was just what a young man would need to impress and earn her attention. Before too long, a cord of expertly prepared firewood would be neatly stacked ready for cooking and heating.
The Death Valley Automobile Trip photograph album containing 76 prints appears to be the record of a sightseeing trip made from Los Angeles to Death Valley in 1926. A written record–in the form of diary entries–is also included and consists of a series of detailed captions describing the landscape, landmarks, and individuals encountered in Death Valley. Neither the diarist nor the photographer is identified. The album displays no one emphasis: it consists of a broad range of photographs, from the automobiles and sightseers to the landscape, abandoned mines, schoolhouses, hotels and homesteads of Death Valley….